The Triumph of Godzilla Minus One: A Lesson for Hollywood

Godzilla’s Historic Win

After seven decades in the film industry, Godzilla has finally clinched the coveted gold statue at the 96th Academy Awards. Godzilla Minus One, a groundbreaking entry in the franchise, secured the Academy Award for Best Visual Effects, marking a historic first for the iconic monster series. This accolade is not only long overdue but also a testament to Godzilla’s enduring significance in international cinema. Directed by Takashi Yamazaki, Minus One not only delivers an exceptional cinematic experience but also showcases the character’s unmatched adaptability over the years.

Challenging Hollywood Norms

Godzilla Minus One’s success raises an important question: how did a film with a modest VFX team and a budget of $15 million outshine Hollywood blockbusters? The answer lies in the film’s approach to visual effects, which harkens back to the style of the 1990s. While Hollywood has often downplayed the importance of VFX, treating it as a burdensome necessity rather than an art form, Minus One embraced the craft with reverence and creativity.

When Did CG Become ‘Bad’?

The negative perception of CG effects in Hollywood reflects a deeper issue of attitude towards visual effects artistry. Despite being a groundbreaking technology meant to push the boundaries of filmmaking, CGI has been stigmatized and marginalized in recent decades. Many filmmakers and audiences have expressed disdain for CGI, preferring “practical” effects instead.

The Myth of Practical Effects

The fetishization of practical effects as superior to CGI is largely a marketing tactic, aimed at appealing to audiences skeptical of digital effects. However, the reality is that most movies employ a blend of in-camera and digital VFX work. Even acclaimed directors like Robert Eggers have expressed regret over using CGI, perpetuating the misconception that VFX is inferior to practical effects.

Godzilla Minus One’s triumph at the Oscars serves as a wake-up call for Hollywood to reevaluate its attitude towards visual effects. Instead of treating VFX as a necessary evil, filmmakers should embrace it as a vital tool for storytelling and artistic expression. By recognizing the artistry and innovation behind visual effects, Hollywood can ensure the continued success of films like Godzilla Minus One.